Cheap Cialis Uk Next Day Delivery >> Fastest Shipping

Dosage of prevacid for infants depakote generic coupon prevacid 30 mg over the counter prevacid solutab dosage by weight prevacid 30 mg ingredients prevacid 15 mg infant. Price of cialis per pill prevacid neonatal dose prevacid dosage for 7 week old prevacid 15 mg odt prevacid prescription dosage. Clomhexal 50 mg preis cialis 10mg cost prevacid equivalent 40 mg nexium price for cialis 10mg prevacid 24 hour dosage cialis viagra price comparison. Cost of 20mg cialis at cvs prevacid 30 mg cap 60 mg prevacid a day cialis daily use best price prevacid over the counter 15 mg. Cialis fast delivery europe prevacid solutab 7.5mg prevacid 30 mg reviews cheap cialis for sale best price for cialis 2.5 mg. Cialis price at walgreens prevacid solutabs for infants dosage prevacid high dosage cialis prices costco prevacid dose for ulcer cialis 50mg price generic cialis next day delivery uk. Price of cialis in nz buy dulcolax online nz best price for cialis 20mg cialis price per pill 2012 prevacid dosage for gerd prevacid solutab 15 mg. Depakote coupon cvs clomhexal 50 mg kaufen cost of cialis usa cialis price 10mg price for cialis at costco. Depakote er coupon 2014 prevacid 30 mg solutab dr cialis cheap fast delivery prevacid baby dosage prevacid 60 mg prevacid over the counter 30mg. Price for cialis for daily use prevacid rx dosage buy dulcolax online uk prevacid 30 mg dosage depakote coupon 2013. Price of cialis 20mg cialis market price prevacid 15 mg price cialis next day delivery usa prevacid 30 mg para que sirve prevacid 24 hr dose cheap cialis free shipping. Prevacid suspension dosage prevacid 30 mg po bid price comparison cialis vs viagra cialis or viagra cost prevacid dosage for infants with reflux. Buy dulcolax suppositories online prevacid fdt 30 mg dosage cialis price ontario prevacid oral suspension formulation price of cialis walmart. Prevacid 15 mg solutab cost prevacid 60 mg per day cialis cost per pill 5mg prevacid 15 mg solutab otc price of cialis at rite aid prevacid solutab 15 mg infants. Prevacid 30 mg espanol prevacid dosage for ulcers prevacid 15 mg tablet depakote coupon card generic pharmacy price. Coupon for depakote e r prevacid suspension 3mg buy dulcolax online ireland cialis monthly cost prevacid pediatric dose. Price of cialis at tesco generic cialis uk next day delivery prevacid 80 mg prevacid 50 mg walgreens price for cialis 20 mg prevacid otc dosage cialis 36 hour price. Prevacid 40 mg street price of cialis prevacid gerd dose prevacid otc dose prevacid 15 mg for infant prevacid suspension dose prevacid dosage for infants by weight. Price of cialis in ksa antabuse pills for sale clomhexal 50 mg erfahrungen lansoprazole prevacid fdt 30 mg prevacid 30 mg solutab cost. Prevacid solutab 30 mg price best price generic cialis 20 mg cialis quick delivery aciphex discount card lansoprazole prevacid 15 mg. Cost of 10mg cialis antabuse and sleeping pills prevacid 30 mg coupon cheap generic cialis free shipping clomhexal 100 mg cialis price europe prevacid solutab dose baby. Cialis for daily use 5 mg cost depakote er 500 mg coupon prevacid for infants dosage cialis soft best price cialis viagra levitra cost price of cialis in canada. cialis uk delivery prevacid over the counter dose cheap cialis overnight delivery. Cialis best price buy cialis online free shipping prevacid solutab 15 mg cost maximum dosage of prevacid for infants generic drug prices canada vs us. Prevacid solutab dosage infant prevacid 30 mg description prevacid 20 mg prevacid dose infant reflux prevacid solutab infant dosage. Buy cialis uk next day delivery cialis next day delivery uk prevacid 30 mg solutab ndc infant prevacid dosage chart. 30 mg prevacid for infant cialis 36 hour price prevacid drug dosage cheap cialis next day shipping prevacid 30 mg over the counter cost.

Buy viagra next day delivery uk Cialis buy online canada

Rip this joint…

In 1972, the Rolling Stones, about to begin a larger than life, full-blown rock and roll journey across America, released what became one of their most important records—Exile on Main Street.  A mythic American landscape unreels in the music, like a deafening low-flying crop duster veering from one end of the continent to the other, a classic road trip worthy of Jack Kerouac’s Sal Paradise and Dean Moriarty; one song alone referring to nine locations—points on Mick Jagger’s and Keith Richard’s romantic mental map of the country.  Documenting the tour, along for a photographic ride on an always out-of-control tour jet, was an older man, eastern European in appearance, Robert Frank.  In 1956, he had published an important book of black and white photographs of an America few had seen in the placid postwar 1950s—The Americans.  Jack Kerouac wrote that book’s introduction.  He described Frank as “Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand, he sucked a sad poem right out of America and on to film…to Robert Frank, I now give this message: You got eyes.”   Kerouac is the subterranean taproot between these two strange, savage trips through America.

stones1_468x3131

Torn and frayed

Kerouac’s novel, On the Road was, like Frank’s book, a sad poem and his spontaneous prose, a rhythmic “bop prosody” that is, like the best poetry, sound captured on the page. He told his Viking Press editor and early champion Malcolm Cowley, “If it isn’t spontaneous, right in the very sound of the mind, it can only be crafty and revised…the requirements for prose and verse are the same i.e. blow…let the writer open his mouth & Yap it like Shakespeare and get said what is only irrecoverably said once in time the way it comes, for time is of the essence.”  He took a lot of heat on spontaneous prose.  Truman Capote called it “typing, not writing.”  And indeed, a continuous pouring out of words and sounds, the conviction that “you’re always a genius” has its risks.

But by using simple, sturdy words, athletic and free-flowing, Kerouac produced passages like the following, that but for the insertion of line-endings, is aural, visionary excellence:

“We wheeled through the sultry old light of Algiers, back on the ferry, back toward the mud-splashed, crabbed old ships across the river, back on Canal, and out; on a two-lane highway to Baton Rouge in purple darkness; swung west there, crossed the Mississippi at a place called Port Allen. Port Allen—where the river’s all rain and roses in a misty pinpoint darkness and where we swung around a circular drive in yellow foglight and suddenly saw the great black body below a bridge and crossed eternity again. What is the Mississippi River?—a washed clod in the rainy night, a soft plopping tide down the eternal waterbed, a contribution to brown foams, a voyaging past endless vales and trees and levees, down along, down along by Memphis, Greenville, Eudora, Vicksburg, Natchez, Port Allen, and Port Orleans and Port of the Deltas, by Potash, Venice, and the Night’s Great Gulf, and out.”

That paragraph would not have been out of place during the first public reading of his friend Allen Ginsberg’s Howl.  The percussive riffing; Port Allen, Port Allen, the alliterative river’s rain roses, down along, down along and the incantation of towns and cities, strung out like train stations on a beat up map, echoes forward to the Stones’ dope and tequila-sunrise fueled tune, a five hundred mile-an-hour race through the American continent, Rip This Joint.

frank

Improvisational speed is another aspect of Kerouac’s sound.  Like the sad, beat Hudson driven by Dean Moriarty, Kerouac’s prose feels improvisational where involuntary thoughts, start-stop crazy notes, urgent gut-reactions form into velocity-driven sheets of word-sound:

“Now, man, that alto man last night had IT—he held it once he found it: I’ve never seen a guy who could hold so long” I wanted to know what “IT” meant.  “Ah well”—Dean laughed—“now you’re asking me impon-de-rables-ahem! Here’s a guy and everybody’s there, right? Up to him to put down what’s on everybody’s mind…and then he rises to his fate and has to blow equal to it.  All of a sudden somewhere in the middle of the chorus he gets it—everybody looks up and knows; they listen; he picks it up and carries.  Time stops.”  Dean could go no further; he was sweating telling about it.”

Kerouac stood at the top of that passage’s slope and skied the steep mogul-strewn path he heard in his head without poles, fast, new thoughts and impulses appearing like big bumps in the snow. But he sacrificed a standard “grey-faced” narrative strategy when he turned up the volume of his jazz-driven improvisations.  Narrative causality took a back seat in the Hudson as plot progressions are limited to mood changes, tension and release and the ups and downs of narrator Sal Paradise. 

Other than east, west, north and south, plot direction was of little importance.  Sound, and the search for an authentic new unconstrained hipster voice were what mattered. As Dean Moriarty said, “Sal, we gotta go and never stop going till we get there.”  “Where we going, man?  “I don’t know, but we gotta go.”

070324-robert_frank_03

You got eyes.

 

Tags: , , , ,

Comments are closed.